UPCOMING
Tim Doud
Parthenogenesis
OCTOBER 13 - November 12, 2017
OPENING
October 14 - 6-8PM
CURATOR'S OFFICE
Washington, D.C.
curator’s office @ Studio 1469
1469 Harvard Street REAR NW
Washington, DC 20009
CLOSING
November 12- 4-6PM
Outwin 2016: American Portraiture Today
Kemper Museum of Contemporary Art
Kansas City, MO - October 6, 2017 - January 7, 2018
Traveling
Tacoma Art Museum, Tacoma, WA - January 4 - May 14 2017
Art Museum of South Texas, Corpus Christi, TX June 2 - Sept. 10
Artis―Naples, The Baker Museum, Naples, FL
Ackland Museum of Art, University of North Carolina, Chapel Hill, NC
The Outwin 2016: American Portraiture Today is organized by the Smithsonian’s National Portrait Gallery, Washington, D.C.
Smithsonian National Portrait Gallery
Outwin American Portraiture Today
The Smithsonian’s National Portrait Gallery has selected the finalists for the exhibition resulting from the Outwin Boochever Portrait Competition.
The juried exhibition’s 43 pieces include sculptures, mixed-media pieces, photographs, paintings and drawings. The works will be exhibited at the museum from March 12, 2016, through Jan. 8, 2017
After the exhibition closes in Washington, D.C., for the first time it will travel to three host museums across the country from February 2017 through June 2018.
With Liberty and Justice for Some
curated by Monica Lundy and Walter Maciel
September 23 - October 8, 2017
Opening Reception, Saturday, September 23, 6-8PM
Featuring the work of contemporary artists who have been invited to create portraits of immigrants to the United States. The show is a statement on the many fears surrounding the announcement of our new president elect and a powerful response rejecting the presumed policies that threaten to disrupt basic civil rights.
Sondheim Semi-Finalist Exhibition
Maryland Institute College of Art
Deker and Meyerhoff Galleries
Baltimore, MD
July 18 - August 6, 2017
Prologue 1996-2016
Tim Doud
Works on Paper
March 4-April 1 2017
Reception March 4, 5-7PM
The Artist as Cultural Producer: Living and Sustaining a Creative Life, Zoë Charlton, Tim Doud (essay)
Edited by Sharon Louden, Intellect, University of Chicago Press, 2017
With Liberty and Justice for Some: Sanctuary City
25 March - 8 April 2017
Featuring the work of contemporary artists who have been invited to create portraits of immigrants to the United States. The show is a statement on the many fears surrounding the announcement of our new president elect and a powerful response rejecting the presumed policies that threaten to disrupt basic civil rights.
Los Angeles, CA
With Liberty and Justice for Some
7 January - 4 March 2017
Unincorporated
An Experimental Collaborative Video Presentation
Tim Doud and Zoë Charlton
Rice Gallery
McDaniel College
September 2- 23 Gallery Hours M-F 12-4PM
Saturday 12-5 PM
McDaniel College's Department of Art and Art History presents "Unincorporated," an experimental collaborative video presentation by Tim Doud and Zoë Charlton, through September 23 in The Rice Gallery in Peterson Hall.
This collaboration is an extension of their work with the project '’sindikit’ and theirwork as colleagues at American University. Zoë Charlton and Tim Doud have collaborated as co-workers, professors, artists, curators, and organizers. There are three distinct sets of videos in Unicorporated - the McDaniel College exhibit will include work with other artists in and outside of the Baltimore area. Among those collaborators are New York-based artists Rodney Cuellar, Amy Gaipa, and Bowie State Faculty member Gina Marie Lewis.
Traywick Contemporary
Art + Projects
Berkeley, CA
Plus One +
Rachel Davis + Blair Saxon-Hill
Ken Fandell + Donald Morgan
Samantha Fields + Thomas Müller
David Fought + Brad Brown
Benicia Gantner + Margaret Griffith
Diana Guerrero-Maciá + Tim Doud
Portia Hein + Aaron Morse
Cynthia Ona Innis + Reed Danziger
Amy Kaufman + Steuart Pittman
Dharma Strasser MacColl + Hughen/Starkweather
Amanda Marchand + Jeanne Quinn
Nancy Mintz + Martin Puryear
Stas Orlovski + Steve Roden
CURATOR'S OFFICE
GEOMETRIX: Line, Form, Subversion
January 14 - April 16, 2016
GEOMETRIX: Line, Form, Subversion is a large mischievously educational exhibition that explores how artists use the vocabulary of geometric abstraction to explore ideas far beyond the purely formal. Admittedly eclectic, the exhibition is a big beta version of what will become an annual series of focused thematic shows.The artists allude to such diverse inspirations as music, physics, occult studies, racism, social issues, gay aesthetics, incarceration data, textile design, interactive computer design, memorials, the environment and perverse homages, to name but a few.
Curator's Office @ Home
Lori Ellison, Peter Fox, Christopher French, Kendell Geers, Jason Gubbiotti, Raymond Salvatore Harmon, Jason Hughes, Warren Isensee, Linn Meyers, Gary Petersen, Eduardo Santiere Jo Smail, Andrea Way, Andy Moon Wilson, Patrick Wilson.
Curator's Office @ Gallery 21122112 R Street NW Washington, DC
Lisa Beck, Joan Belmar, Brian Dailey, Tim Doud, Tom Downing Peter Fox, Tom Green, Logan Grider, Jason Hughes, Warren Isensee Paul Laffoley, Sharon Louden, J.W. Mahoney, Gary Petersen W.C. Richardson, Eduardo Santiere, Jered Sprecher, Don Voisine Andrea Way, Andy Moon Wilson, John Zinsser.
Curator's Office @ 703 Edgewood Studios703 Edgewood Street NEWashington, DC
Seth Adelsberger, Joan Belmar. Sharon Butler, Travis Childers Mike Childs, Charles Cohan, Paul Doran, Alex EbsteinPeter Fox, Ted Gahl, Robert Gutierrez, Eric Hibit J.T. Kirkland, Amy Lin, Maggie Michael Thomas Müller, Betsy Packard, Jefferson Pinder.
Miami Projects
RANDALLSCOTTPROJECTS
Miami, Florida
December 1-6
Tim Doud, Alex Ebstein, Julia Fullerton-Batten and Jason Hughes
Zoë Charlton and Tim Doud, ally
Zoë Charlton and Tim Doud’s respective practices are largely figurative. Their work in this exhibition
employs allied strategies and materials in which the observed figure is absent, but nonetheless grounds the
work.
Charlton playfully associates surrogates for the body, collected images of cultural artifacts and their politic,
and scrapbooking embellishments. She uses collaged elements and stickers for their humor. They also work
as a visual shorthand to a commodity politic read off image. The images are dense with particular meanings,
but even out of context, they bring the shadow of their histories.
Formally, Doud’s paintings present as abstractions. However, these conceptual abstractions address
consumerism, of both fashion and high modernist and faux-action painting, economic and social identities,
and the absurd mixing of cultural signs. Branding serves as backdrop to a broader discussion of how
commodity signifies.
In ally, Charlton and Doud employ a bricolage aesthetic as they go culturally drifting, borrowing images in
an economy of meaning outside their original cultural reference.
Naked, The Nude in America
Bram Dijkstra
Tim Doud, Pages 464, 466, Rizzoli International Publications, 2010
Halsted, Oil on Linen, 1994
